Return to Intro to Film Syllabus
Updated 27 April 2007
ENGLISH 114: INTRODUCTION TO FILM, Fall 2006
Section 2: Monday, 6:00-9:30 p.m., Professor Larsson
Week 14, April 23, 2007
Reminders:
Extra Credit papers are due in 1 week. No papers will be accepted or read after April 30.
Final Exam will be at 6:00, this room, on Monday, May 7
· Questions related to the last 2 weeks of class (Sound, Citizen Kane)
· Cumulative questions about terms and concepts covered in the reading and in class. There may be some general questions relating to films seen earlier this semester.
· Questions about mise-en-scene, cinematography, editing and sound in a film clip shown during the exam.
1. Controversy of Production History
Scandal caused
by references to William Randolph Hearst (right) nearly
stopped film’s release, crippled its
distribution
· For more, see documentary The Battle over Citizen Kane (available in Memorial Library)
· A fictionalized (and somewhat inaccurate) account is presented in the HBO production RKO 281
· The best book on the subject is The Making of Citizen Kane by Robert Carringer (also available in Memorial Library)
2. Content and Narrative Form Are Somewhat Unusual for Time
· Theme that criticizes American “success ethic”
· Criticism of living, powerful man
· Complexity of flashback structure
· Somewhat open ending
3. Dramatic and Innovative Uses of Film Style
· Complex use of props and other elements of mise-en-scene to support narrative, suggest meanings
· Dramatic uses of low-key lighting
· Unusual uses of camera angles and extended camera movement
· Innovative development of “deep-focus” cinematography
· Use of overlapping dialogue and sound for emotional context
· RKO President George Schaefer replaced
·
Control of The
Magnificent Ambersons taken from Welles,
ending is re-shot and re-cut, original footage destroyed
· Welles continues to work in theater and film but never has full funding and full control at same time again
· Kane earns critical praise but does not succeed at box office
· Kane is pulled from theaters, put on shelves at RKO, neglected and forgotten
· Re-released in early 1950s
· Acclaimed “greatest film” by international critics at Brussels World Fair
· Remains at top of “best films” lists ever since
· Downbeat themes, complex narrative structures become more common by end of World War II
· Innovations in lighting, deep focus cinematography developed further
· Helped to spur development of film noir style in 1940s and 1950s
(Film Noir: American films from late 1940s and 1950s labeled “black film” by French critics because of downbeat themes and dark passions in narrative, notable use of low-key lighting and extreme camera angles.)
Direct Influence on Future Filmmakers and Critics
Other notable Welles films:
The Magnificent Ambersons
The Lady from Shanghai
Othello
Touch of Evil
Chimes at Midnight
More on Kane next week!