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Updated 6 October 2006

ENGLISH 114: INTRODUCTION TO FILM, Fall 2006

Section 3: Thursday, 6:00-9:30 p.m., Professor Larsson

 

Week 6, October 5

 

6:00-6:15

Review of mise-en-scene

Backgrounds on North by Northwest

 

6:15-8:30

View North by Northwest

 

8:30-9:20

Discuss North by Northwest and mise-en-scene

 

9:20-9:30

Quiz 3

 

 


 

See Barsam’s Case Study on North by Northwest at the textbook website:

http://www.wwnorton.com/web/movies/chapters/ch3/case_study.asp

 

Questions for North by Northwest:

 

1. What is Roger Thornhill like when we first meet him?  Does he go through any changes in character in this film?  If so, what are they and how do they happen?

 

2. What is Eve Kendall like?  Why does she behave as she does in this film?  What information is given us to explain her behavior?  What is Van Damme like as a character?  Does he ever seem at all sympathetic?

 

3. How do the different events in the narrative tie together in a causal pattern?  How does the spy story interact with the love story in the film?  Which is more important?

 

4. Note down any aspects of mise-en-scene that catch your attention.  How and why does Hitchcock make use of such design elements as setting, costume and lighting in this film?

 

5. Although this film combines aspects of thriller, spy film, and love story, does it have anything to say?  What, if any, meanings does the film state or imply?
Narrative in North by Northwest

 

Plot Duration = 4 days and 4 nights (+ a little later at end?)

Story Duration = Several years

 

Plot Events:

Day 1         Roger Thornhill is mistaken for spy “George Kaplan” and

                   kidnapped, nearly killed, spends night in jail

Day 2         Thornhill discovers that kidnappers have disappeared

                   Tries to find George Kaplan at hotel, goes to U.N.

                   Real Mr. Townsend is murdered, Thornhill becomes suspect

                   Thornhill escapes New York on train

                   We learn that “Kaplan” is fictitious, created by US agents following
                             Phillip Van Damm, Thornhill’s kidnapper

                   Meets Eve Kendall, spends night with her

                   We learn that Eve is working with kidnappers

Day 3         Chicago: Eve sends Thornhill to appointment with Kaplan in

                             Country

                   Thornhill is nearly killed by crop duster

                   Return to Chicago, follows Eve to auction house, arouses Van

                             Damm’s suspicions, the Professor reveals the truth about

                             Kaplan and that Eve is a double agent

Day 4         Mt. Rushmore: Eve pretends to shoot Thornhill

                   Eve and Thornhill reconcile, she’s to leave with Van Damm

                   Professor restrains Thornhill, but he escapes, learns that Leonard

                             and Van Damm now realize Eve’s duplicity

                   Thornhill and Eve escape, chase on Mt. Rushmore

                   Leonard killed, Van Damm caught

After:          Train: Thornhill and Eve are now married, train enters tunnel

 

Story Events:

Several years ago:       Van Damm begins spy operations against U.S.

                                      Eve Kendall meets Van Damm and is attracted to him

                                      Van Damm kills other American agents

                                      Professor reveals Van Damm’s activities, Eve agrees to

                                                work as double agent

                                      “George Kaplan” created to distract attention from Eve

Plot begins:                  Thornhill is mistaken for Kaplan

 

 

Characters and Goals in North by Northwest

Roger O. Thornhill:

§        Advertising executive, successful, glib, tells lies for a living

§        Married several times, attached to mother

§        Worried about weight (“Think thin!”), reputation as heavy drinker

§        Can think and act quickly when necessary (cab, elevator)

§        Low self-esteem?  (“My initials: ‘ROT’” The O stands for “nothing”)

§        Lacks significant purpose in life, but finds it by chance

 

Eve Kendall

§        Name “Eve” suggests betrayal but redeemed by actions and motives

§        Working for Professor gave meaning to her life (Thornhill sees similarity: “Has it really been like that?”)

§        Hitchcock motif: the cool blonde who’s actually passionate

§        Betrayer revealed to be someone who is risking her own life for ideals

 

Van Damm

§        Spy without conscience, selling to the highest bidder

§        Ready to kill Thornhill without remorse

§        But genuinely in love with Eve, hurt by her betrayal

 

The Professor

§        Unnamed head of government spy agency

§        Willing to let Eve and Thornhill risk their lives for own purposes

 

Leonard

§        Suggestions of homoerotic jealousy of Eve

§        “He’s a good-looking one,” “Call it my woman’s intuition”

 

Characters form circle of mutual betrayal
Hitchcock themes in characters:

§        Heroes with flaws

§        Villains who can be charming and often sympathetic

§        Transference of guilt: Man accused of a crime he did not commit (The Lodger, The Thirty-Nine Steps, Saboteur, I Confess, The Wrong Man, Frenzy)


Other Hitchcock themes and film motifs are suggested through the mise-en-scene:

§        Use of famous landmarks as settings: Plaza Hotel, United Nations, Chicago Palmer House and Michigan Avenue, Mt. Rushmore (Compare the British Museum in Blackmail, Radio City Music Hall and Statue of Liberty in Saboteur, Royal Albert Hall in The Man Who Knew Too Much)

§        Danger and suspense in unusual settings: flat prairie for crop duster attack

§        Implication: No place is safe

§        Sexuality linked to danger:  Eve and Thornhill embrace in the railroad car, intimations of violence

§        Modes of transportation as motif suggested during credits: cars, taxis, subway (later, trains and airplanes), Hitchcock himself misses the bus!

§        More self-referentiality: Thornhill and the Professor fly north by Northwest (Airlines)

 

Specific props appear as motifs and plot devices:

§        Martini glass in foreground at Plaza bar associates Thornhill with drinking, foreshadows liquor bottle used by Leonard, Thornhill gets Professor out of hospital room by sending him for liquor

§        Thornhill’s matchbook is first a statement about his character, later a warning to Eve

§        Microfilm in statue:

o       motivates plot—“Oh, government secrets, perhaps”

o       The “McGuffin”—important in motivating story but not important in itself

o       but does refer to contemporary spy events—Alger Hiss and Whitaker Chambers: “I see you’ve got the pumpkin”

 

Van Damm’s house: http://www.jetsetmodern.com/modatmovies.htm


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