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Updated 13 January 2002

Humanities 450/550, Spring 2002

SEMINAR: MODERNISM AND THE ARTS

M W 10:00-11:45 a.m.               AH 215

  

Professor:        Donald Larsson              Office:  AH 229F

Phone:             389-2350                       E-Mail: donald.larsson@mnsu.edu

Office Hours:    MON.                5:00-5:45 P.M., TUES                2:00-3:45 P.M.

                        WED.               1:00-2:00 P.M., THURS. 2:00-2:45 P.M.

                        and by appointment

 

TEXTS:

Brecht, Bertolt, The Three-Penny Opera

Ellmann, Richard and Robert O'Clair.  Modern Poems: A Norton Introduction.  2nd ed. 

Hughes, Robert.  The Shock of the New.  Revised ed.

Kafka, Franz.  The Metamorphosis

Kolocotroni, Vassiliki, et al., Modernism: An Anthology of Sources and Documents

Woolf, Virginia.  Mrs. Dalloway.

 

The Voice of the Shuttle: General Index for Humanities-Related Studies

      http://humanitas.ucsb.edu/shuttle/art.html

 

Course Objectives:

This course will attempt to offer a multi-disciplinary view of Modernism, the set of aesthetic movements that changed the course of art and thought in Europe and America and elsewhere during the first half of the 20th century.  We will examine developments in dance, music, theater, film, art, and literature from this period, the different sub-movements of the modernist movements, and how modernism developed into “post-modernism.”  We will try to draw some conclusions about issues stemming from these efforts:

·         How much did Modernism reject the past and how much did it build on it?

·         How did Modernism interact with the technological and social changes of modernity?

·         How did Modernism interact with political and social events of the time?

·         What concepts and principles drove the different movements and artists who could be called Modernists?

·         What are the legacies of Modernism in a Postmodern age?

 

Course Requirements—Undergraduate:

 

·         Daily attendance and participation (15%)

·         Short Oral Report (10%)                                                                                                            

·         Mid-Term and Final Take-Home Exams (25% each)

·         In-Class Presentation (25%)

 

Course Requirements—Graduate:

 

·         Daily attendance and participation (15%)

·         Class Resource List (10%)                                                                                                        

·         Mid-Term and Final Take-Home Exams (25% each)

·         Analytical Paper and In-Class Presentation (25%)

 

Grading and Assignments:

Your grade will be based on a point total of 1,000 points, on a percentage scale:

A

B

C

D

F

900-1000

800-899

700-799

600-699

0-599

 

Daily attendance and participation: You start the semester with a total of 150 points (@ 10 points/weeks).  All or some points may be deducted for absence or lack of preparation.  I may administer pop quizzes from time to time to check on preparation.

 

Short Oral Report (Undergraduate): Undergraduates will be asked to pick an author, artist, musician, etc. and give a brief report on that person’s life and work and his or her relationship to modernist movements.  You should submit a written outline and a list of any sources (print or online) that you used for your information.

 

Class Resource List (Graduate): Graduates will be asked to provide the class with a written list of resources in print, other media or online that would be useful for further study relating to one or more of the artists or movements that we will be studying.  You should list at least ten sources, describe each one briefly, and indicate where it can be found in the MSU library, online, or elsewhere.

 

Mid-Term and Final Take-Home Exams: You will have two exams.  I will give you the questions for each, and you will have a week in which to write essay answers to your choice of questions.  Graduate students will have somewhat different questions to answer than undergraduates.

 

In-Class Presentation (Undergraduate): Undergraduates will present an in-class analysis of a work of art, a film, a piece of literature, a musical work, etc., using appropriate copies, videos, recordings, etc.  More details will follow.

 

Analytical Paper and In-Class Presentation (Graduate): Graduate students will also analyze a work of art, a film, a piece of literature, a musical work, etc., using appropriate copies, videos, recordings, etc.  However, this analysis will be in written form (15-20 pages), will draw on at least 5 sources, and be presented in summary form to the class as an oral presentation as well.  More details will follow.

 

 

Schedule (Subject to Change)

WEEK

DATES

TOPICS

READINGS

1

Jan. 14-16

Introduction:

Definitions: The Modern, Modernity, Modernism

Pre-Modernist Beginnings

Marx, Darwin, Nietzsche, Freud, Einstein

Hughes, Chapter 3

Modernism:

Marx, 5-8

Darwin, 8-10

Nietzsche, 17-22

Freud, 47-51, 472-477

Andreas-Salome, 85-87

Selections from Modern Poems

2

Jan. 23

The Emergence of Modernism, 1900-1918

No class on Monday, MLK Day

Hughes, Chapter 6

Modernism:

Flaubert, 97-98

Beaudelaire, 102-108

Pater, 112-115

Mallarme, 123-127

Conrad, 131-134

Selections from Modern Poems

3

Jan. 28-30

Modernism and Literature: Poetry

Modernism:

McCarthy, 174-178

Hulme, 178-185

Eliot, 366-373

Pound, 373-382

HD, 383-385

Selections from Modern Poems

4

Feb. 4-6

 

Modernism and Literature: Film and Fiction

Stories by Kafka

Modernism:

Vertov, 237-238

Eisenstein, 551-556

 

5

Feb. 11-13

Modernism and Literature: Fiction and the Novel

Mrs. Dalloway, view film version

Modernism:

Woolf, 368-391

6

Feb. 18-22

Modernism and Theater

The Three-Penny Opera

Modernism:

Jarry, 129-131

Craig, 150-154

Meyerhold, 240-242

Piscator, 242-245

Brecht, 465-470

Artaud, 470-472

7

Feb. 25-27

Modernism and Music: Stravinsky, Schoenberg, and Friends (?)

Modernism:

Wagner, 8-10

Satie, 198-200

8

Mar. 4-6

 

Modernism and Dance, Mid-Term Take-Home Exams due

Modernism:

Duncan, 150-154

 

Mar. 11-13

MID-TERM BREAK

 

9

Mar. 19-23

Movements: Futurism and Constructivism

Hughes, Chapter 1

Modernism:

249-258, 298-301

10

Ma. 26-28

Movements: Imagism, Vorticism, Expressionism

Modernism:

268-276

Selections from Modern Poems

11

Apr. 2-4

Movements: Cubism, Bauhaus

Hughes, Chapter 4

Modernism:

262-268, 301-304

12

Apr. 9-11

Movements: Surrealism, Dada

Hughes, Chapter 5

Modernism:

276-291, 307-312, 597-601

13

Apr. 16-18

Late Modernism: The 1930s and after

Hughes, Chapter 2

Modernism:

Hitler, 560-563

Zhdanov, 524-526

Benjamin, 563-577

Adorno, 577-584

Lukacs, 584-591

14

Apr. 23-25

On to Post-Modernism?

Hughes, Chapters 7 and 8

15

Apr. 30-May 2

Conclusions and class presentations

 

Final Period: Tues., May 7; 10:15 a.m.

Final Take-Home Exams and Presentations Due

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