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Updated 13 January 2002
Humanities 450/550, Spring 2002
SEMINAR: MODERNISM AND THE ARTS
M W 10:00-11:45 a.m. AH 215
Professor: Donald Larsson Office: AH 229F
Phone: 389-2350 E-Mail: donald.larsson@mnsu.edu
Office Hours: MON. 5:00-5:45 P.M., TUES 2:00-3:45 P.M.
WED. 1:00-2:00 P.M., THURS. 2:00-2:45 P.M.
and by appointment
TEXTS:
Brecht, Bertolt, The Three-Penny Opera
Ellmann, Richard and Robert O'Clair. Modern Poems: A Norton Introduction. 2nd ed.
Hughes, Robert. The Shock of the New. Revised ed.
Kafka, Franz. The Metamorphosis
Kolocotroni, Vassiliki, et al., Modernism: An Anthology of Sources and Documents
Woolf, Virginia. Mrs. Dalloway.
The Voice of the Shuttle: General Index for Humanities-Related Studies
http://humanitas.ucsb.edu/shuttle/art.html
Course Objectives:
This course will attempt to offer a multi-disciplinary view of Modernism, the set of aesthetic movements that changed the course of art and thought in Europe and America and elsewhere during the first half of the 20th century. We will examine developments in dance, music, theater, film, art, and literature from this period, the different sub-movements of the modernist movements, and how modernism developed into “post-modernism.” We will try to draw some conclusions about issues stemming from these efforts:
· How much did Modernism reject the past and how much did it build on it?
· How did Modernism interact with the technological and social changes of modernity?
· How did Modernism interact with political and social events of the time?
· What concepts and principles drove the different movements and artists who could be called Modernists?
· What are the legacies of Modernism in a Postmodern age?
Course Requirements—Undergraduate:
· Daily attendance and participation (15%)
· Short Oral Report (10%)
· Mid-Term and Final Take-Home Exams (25% each)
· In-Class Presentation (25%)
Course Requirements—Graduate:
· Daily attendance and participation (15%)
· Class Resource List (10%)
· Mid-Term and Final Take-Home Exams (25% each)
· Analytical Paper and In-Class Presentation (25%)
Grading and Assignments:
Your grade will be based on a point total of 1,000 points, on a percentage scale:
|
A |
B |
C |
D |
F |
|
900-1000 |
800-899 |
700-799 |
600-699 |
0-599 |
Daily attendance and participation: You start the semester with a total of 150 points (@ 10 points/weeks). All or some points may be deducted for absence or lack of preparation. I may administer pop quizzes from time to time to check on preparation.
Short Oral Report (Undergraduate): Undergraduates will be asked to pick an author, artist, musician, etc. and give a brief report on that person’s life and work and his or her relationship to modernist movements. You should submit a written outline and a list of any sources (print or online) that you used for your information.
Class Resource List (Graduate): Graduates will be asked to provide the class with a written list of resources in print, other media or online that would be useful for further study relating to one or more of the artists or movements that we will be studying. You should list at least ten sources, describe each one briefly, and indicate where it can be found in the MSU library, online, or elsewhere.
Mid-Term and Final Take-Home Exams: You will have two exams. I will give you the questions for each, and you will have a week in which to write essay answers to your choice of questions. Graduate students will have somewhat different questions to answer than undergraduates.
In-Class Presentation (Undergraduate): Undergraduates will present an in-class analysis of a work of art, a film, a piece of literature, a musical work, etc., using appropriate copies, videos, recordings, etc. More details will follow.
Analytical Paper and In-Class Presentation (Graduate): Graduate students will also analyze a work of art, a film, a piece of literature, a musical work, etc., using appropriate copies, videos, recordings, etc. However, this analysis will be in written form (15-20 pages), will draw on at least 5 sources, and be presented in summary form to the class as an oral presentation as well. More details will follow.
Schedule (Subject to Change)
|
WEEK |
DATES |
TOPICS |
READINGS |
|
1 |
Jan. 14-16 |
Introduction: Definitions: The Modern, Modernity, Modernism Pre-Modernist Beginnings Marx, Darwin, Nietzsche, Freud, Einstein |
Hughes, Chapter 3 Modernism: Marx, 5-8 Darwin, 8-10 Nietzsche, 17-22 Freud, 47-51, 472-477 Andreas-Salome, 85-87 Selections from Modern Poems |
|
2 |
Jan. 23 |
The Emergence of Modernism, 1900-1918 No class on Monday, MLK Day |
Hughes, Chapter 6 Modernism: Flaubert, 97-98 Beaudelaire, 102-108 Pater, 112-115 Mallarme, 123-127 Conrad, 131-134 Selections from Modern Poems |
|
3 |
Jan. 28-30 |
Modernism and Literature: Poetry |
Modernism: McCarthy, 174-178 Hulme, 178-185 Eliot, 366-373 Pound, 373-382 HD, 383-385 Selections from Modern Poems |
|
4 |
Feb. 4-6
|
Modernism and Literature: Film and Fiction Stories by Kafka |
Modernism: Vertov, 237-238 Eisenstein, 551-556
|
|
5 |
Feb. 11-13 |
Modernism and Literature: Fiction and the Novel Mrs. Dalloway, view film version |
Modernism: Woolf, 368-391 |
|
6 |
Feb. 18-22 |
Modernism and Theater The Three-Penny Opera |
Modernism: Jarry, 129-131 Craig, 150-154 Meyerhold, 240-242 Piscator, 242-245 Brecht, 465-470 Artaud, 470-472 |
|
7 |
Feb. 25-27 |
Modernism and Music: Stravinsky, Schoenberg, and Friends (?) |
Modernism: Wagner, 8-10 Satie, 198-200 |
|
8 |
Mar. 4-6
|
Modernism and Dance, Mid-Term Take-Home Exams due |
Modernism: Duncan, 150-154 |
|
|
Mar. 11-13 |
MID-TERM BREAK |
|
|
9 |
Mar. 19-23 |
Movements: Futurism and Constructivism |
Hughes, Chapter 1 Modernism: 249-258, 298-301 |
|
10 |
Ma. 26-28 |
Movements: Imagism, Vorticism, Expressionism |
Modernism: 268-276 Selections from Modern Poems |
|
11 |
Apr. 2-4 |
Movements: Cubism, Bauhaus |
Hughes, Chapter 4 Modernism: 262-268, 301-304 |
|
12 |
Apr. 9-11 |
Movements: Surrealism, Dada |
Hughes, Chapter 5 Modernism: 276-291, 307-312, 597-601 |
|
13 |
Apr. 16-18 |
Late Modernism: The 1930s and after |
Hughes, Chapter 2 Modernism: Hitler, 560-563 Zhdanov, 524-526 Benjamin, 563-577 Adorno, 577-584 Lukacs, 584-591 |
|
14 |
Apr. 23-25 |
On to Post-Modernism? |
Hughes, Chapters 7 and 8 |
|
15 |
Apr. 30-May 2 |
Conclusions and class presentations |
|
|
Final Period: Tues., May 7; 10:15 a.m. Final Take-Home Exams and Presentations Due |
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