Updated 13 January
2003
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English 211, Perspectives in Human Diversity and Literature
Section 1, Multicultural Literature
MW: 10:00-10:45 a.m. AH 323
WATCH THIS SITE FOR FURTHER ASSIGNMENTS AND LINKS!
| Professor: Donald Larsson | Office: AH 201-I |
| Phone: 389-5501 |
E-Mail: donald.larsson@mnsu.edu |
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Office Hours: MON.-FRI., Noon-2:00 p.m., and by appointment |
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| Class website: http://english2.mnsu.edu/larsson/eng211/211syl.html | |
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Texts:
Beaty and Hunter, New
Worlds of Literature, 2nd ed. David Haynes, Live at Five |
|
Objectives:
The United States,
it is said, is a nation of immigrants. Over hundreds of years, the continent
was settled and the nation was built by people who came (some willingly, some
grudgingly, some in chains of iron, some in chains of paper) from Europe, from
Africa, from Asia, and from other parts of the Western Hemisphere. Of course,
there are Native Americans whose ancestors lived on this continent for thousands
of years before these others came. But even they, when pushed out of their
former lands and pushed into a culture often at odds with longstanding practices
and values, became “immigrants” of sorts in their own land—a land that their
ancestors might have trouble recognizing.
This is a nation of immigrants, but as a country we have spent more than two centuries trying to figure out what that means. It has not been a terribly peaceful process. It has been at the center of our bloodiest war, it has involved injustice and brutality, but bit by bit, we have continued to add to the mosaic that is this country’s picture of itself—a picture that continues to change.
We will spend this semester reading works and seeing films by authors and directors of many ethnic backgrounds who in one way or another are writing about what it means to be part of a “multicultural” society. We will look at some common themes addressed by each of these artists and discuss and write about what they have in common but also how their own heritages and backgrounds affect what they create and how they have created it in literature or film. In the process, we will also investigate how our own heritages and backgrounds have affected what we think about these themes and what we all can learn from each other.
Requirements:
1. Reading and
Attendance; Weekly Responses (10 points each=150 points)
Since this course is
based on our discussion of what we read and see, it is essential that you attend
class. 4 absences will lower your final grade by one full grade. 8
absences will lower your final grade by two full grades. More than 8 absences
will result in an F, unless I have given you an excuse for emergency reasons.
We will spend the last half-hour of class each Wednesday writing an in-class reaction to our readings and discussion. I will collect those reactions and return them to you the next week. You must submit a complete collection of 15 reactions in a folder during the final exam period.
2. Outside Activity
Report (150 points)
You must attend one
of the events listed on the schedule and submit a written 5-8 page report
on it. (You may request permission to report on a different event, but it must
be related to this class in some way.) Watch the website for specific
guidelines. A draft of your report is due no later than April 2. (You
may submit the draft sooner. I will be happy to review other drafts with you as
well.) A final, polished draft of the report is due during the final exam
period.
3.
Analytical/Interpretive Paper (200 points)
You will write a
paper of 10-15 pages that compares how at least two of the authors we have read
(or films we have seen) approach one of the themes that we have discussed. This
task requires you to compare and contrast these works and to analyze and
interpret them. Watch the website for specific guidelines. A draft of your
paper is due no later than April 16. (You may submit the draft sooner.
I will be happy to review other drafts with you as well.) A final, polished
draft of the report is due during the final exam period.
4. Mid-Term Exam (250
points)
The mid-term exam
will be in essay format. You may bring your textbooks to class for reference.
I will give you a set of exam topics on Monday. On Wed., I will give you the
specific questions that you are to answer in class. After I return this exam,
you may revise it for a higher grade if you wish.
5. Final Exam (300
points)
The Final Exam will
be a comprehensive exam covering the entire semester, but emphasizing the last
half. It will include both essay and “objective” questions. You may bring your
textbooks to class for reference. I will give you a set of exam topics on April
30. On May 7, I will give you the specific questions that you are to answer in
class.
|
Assignment |
Number of Points |
Percent of Total Grade |
|
Weekly In-Class Reaction
Journal (10 pts. each) |
150 | 15% |
| Outside Activity Report* | 100 | 15% |
| Analytical/Interpretive Paper* | 200 | 20% |
| Mid-Term Exam* | 200 | 20% |
| Final Exam | 300 | 30% |
*Each of these assignments should be revised and resubmitted by the end of the semester. Revisions may raise your final grade (but that is not a guarantee!); they will not lower it.
Grade Breakdown, based on total of 1,000 points
|
A |
B |
C |
D |
F |
| 900-1000 | 800-899 | 700-799 | 600-699 | 0-599 |
Class Schedule, Spring 2003, (subject to change)
|
Week |
Dates |
Reading |
Topics, Assignments & Events |
|
1 |
Jan. 13-15 |
Film: Higher Learning | Introduction |
|
2 |
Jan. 20-22 |
917: King 929-944 |
Monday—Martin Luther
King Day: No class Find and read “Letter from Birmingham Jail” Writing about Literature |
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3 |
Jan. 27-29 |
Live at Five |
Reading the Novel: January 30: Good Thunder Reading Series, Philip Bryant and David Haynes |
|
4 |
Feb. 3-5 |
Live at Five,
continued TBA (To Be Announced) |
Reading the Novel “Home” |
|
5 |
Feb. 10-12 |
TBA |
Poetry, essay, short story “Home,” continued |
|
6 |
Feb. 17-19 |
TBA | “Family” |
|
7 |
Feb. 24-26 |
TBA |
“Family,” continued;
“Heritage” Feb. 27-March 1: Pan African Student Leadership Conference |
|
8 |
Mar. 3-5 |
TBA |
“Heritage” continued Wed.: Mid-Term Exam |
|
March 10-14 |
Spring Break, no classes | ||
|
9 |
Mar. 17-20 |
TBA |
“Fences” Drama |
|
10 |
Mar. 24-26 |
TBA |
“Fences,” continued March 27-28: Chicano-Mexicano-Latino Symposium |
|
11 |
Mar. 31-April 2 | TBA |
“Aliens” Wed: Draft of Outside Activity Report due |
|
12 |
April 7-9 |
TBA | “Aliens,” continued |
|
13 |
April 14-16 |
TBA |
“Americans” Wed: Draft of Analytic/Interpretive Paper due |
|
14 |
April 21-23 |
TBA | “Americans,” continued |
|
15 |
April 28-30 |
TBA | “Beliefs” |
| Wed., May 7 |
Final Exam Period:
8:00-10:00 a.m. Weekly reaction journal, final drafts of Outside Activity Report and Analytic/Interpretive Paper collected |
||
General Education Categories
This course satisfies Categories 1C (Writing Intensive), 6 (Humanities and the Arts), and 7 (Human Diversity) in the General Education Curriculum. It is a Core Course for the Cultural Diversity requirement.
Category 1, Part C: WRITING
INTENSIVE
(requires one course, 3 or more credits)
Goal: Students will
continue to develop skills taught in Composition, applying them in the context
of a particular discipline:
(a) use writing to explore and gain a basic familiarity with the questions,
values and analytical or critical thinking methods used in the discipline;
(b) locate, analyze, evaluate, and use source material or data in their writing
in a manner appropriate to intended audiences (popular or within the
discipline).
CATEGORY 6: HUMANITIES AND THE
ARTS
(requires two courses from different disciplines, 6 credits or more)
Goal: To expand
students’ knowledge of the human condition and human cultures, especially in
relation to behavior, ideas, and values expressed in works of human imagination
and thought. Through study in disciplines such as literature, philosophy, the
fine arts, students will engage in critical analysis, form aesthetic judgments,
and develop an appreciation of the arts and humanities as fundamental to the
health and survival of any society. Students should have experiences in both the
arts and humanities.
Students will be able to:
(a) demonstrate awareness of the scope and variety of works in the arts and
humanities;
(b) understand those works as expressions of individual and human values within
an historical and social context;
(c) respond critically to works in the arts and humanities;
(d) engage in the creative process or interpretive performance;
(e) articulate an informed personal reaction to works in the arts and
humanities.
CATEGORY 7: HUMAN DIVERSITY
(requires one course, 3 credits or more)
Goal: To increase
students’ understanding of individual and group differences, emphasizing the
dynamics of race, gender, sexual orientation, age, class, and/or disabilities in
the history and culture of diverse groups in the United States; the
contributions of pluralism to United States society and culture; and
issues--economic, political, social, cultural, artistic, humanistic, and
education traditions--that surround such diversity. Students should be able to
evaluate the United States’ historical and contemporary responses to group
differences.
Students will be able to:
(a) understand the development of and the changing meanings of group identities
in the United States’ history and culture
b) demonstrate an awareness of the individual and institutional dynamics of
unequal power relations between groups in contemporary society;
(c) analyze and evaluate their own attitudes, behaviors, concepts, and beliefs
regarding diversity, racism, and bigotry;
(d) describe and discuss the experience and contributions (political, social,
economic, artistic, humanistic, etc.) of the many groups that shape American
society and culture, in particular those groups which have suffered
discrimination and exclusion;
(e) demonstrate communication skills necessary for living and working
effectively in a society with great population diversity that world citizens
share for their common global future.
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