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Every Picture Tells A Story: Agency And Narration In Film
Panel: Movies as Paradigmatic Narratives
Modern Language Association Annual Conference, Washington, D.C., December, 2000
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1 2 3 4 5 6 7 8 9 9a 9b 9c 9d 10 Notes Works Cited

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Works Cited

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Astruc, Alexandre. "The Birth of a New Avant-Garde: La Camera-Stylo." 1948. In The New Wave.
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Bal, Mieke. "The Narrating and the Focalizing: A Theory of the Agents in Narrative." Trans. Jane E. Lewin.
    Style 17 (1983). 234-269.
Bazin, Andre. What Is Cinema? Trans. Hugh Gray. Berkeley: University of California Press, 1967.
Behlmer, Rudy, ed. Memo from: David O. Selznick. New York: Grove Press, 1972.
Belton, John. "Introduction: Spectacle and Narrative." In Alfred Hitchcock’s Rear Window.
    Ed. Belton. Cambridge, England: Cambridge University Press, 2000. 1-20.
Berger, John. Ways of Seeing. New York: Penguin, 1977.
Booth, Wayne C. The Rhetoric of Fiction. Chicago: University of Chicago Press, 1961.
Bordwell, David. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema.
    Cambridge, MA: Harvard University Press, 1989.
-----. Narration in the Fiction Film. Madison: University of Wisconsin Press, 1985.
Branigan, Edward. Narrative Comprehension and Film. New York: Routledge, 1992.
-----. Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film.
    New York: Mouton, 1984.
Breer, Robert. Presentation. Walker Art Center, Minneapolis, MN. Feb. 25, 2000.
Chatman, Seymour. Coming to Terms: The Rhetoric of Narrative in Fiction and Film.
    Ithaca, NY: Cornell University Press, 1990.
-------. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca, NY:
    Cornell University Press, 1978.
Eco, Umberto. Six Walks in the Fictional Woods. Cambridge, MA: Harvard University Press, 1994.
Eisenstein, Sergei. "Dickens, Griffith, and the Film Today." Film Form: Essays in Film Theory.
    New York: Harcourt, 1949. 195-255.
Ewert, Jeanne C. "Reading Visual Narrative: Art Spiegelman’s Maus." Narrative 8 (2000). 87-102.
Ford, Ford Madox. The Good Soldier: A Tale of Passion. New York: Knopf, 1951.
Forster, E.M. Aspects of the Novel. New York: Harcourt, Brace, 1927.
Fowles, John. The French Lieutenant’s Woman. Boston: Little, Brown, 1969.
Gaut, Berys. "Film Authorship and Collaboration." In Film Theory and Philosophy.
    Eds, Richard Allen and Murray Smith. Oxford: Clarendon Press, 1997 149-172.
Genette, Gerard. Narrative Discourse: An Essay in Method. Trans. Jane E. Lewin.
    Ithaca: Cornell University Press. 1972.
-----. Narrative Discourse Revisited. Trans. Jane E. Lewin. Ithaca: Cornell University Press, 1988.
Halliwell, Leslie. Halliwell’s Filmgoer’s & Video viewer’s Companion. 11th ed. Ed. John Walker.
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Hawthorne, Nathaniel. The Scarlet Letter. Case Studies in Contemporary Criticism. Ed. Ross C. Murfin.
    New York: Bedford Books, 1991.
Holy Bible. King James Version. New York: Harper.
Kozloff, Sarah. Invisible Storytellers: Voice-Over Narration in American Fiction Film.
    Berkeley: University of California Press, 1988.
Leitch, Thomas M. Find the Director and Other Hitchcock Games. Athens, GA:
    University of Georgia Press, 1991.
Levinson, Jerrold. "Film Music and Narrative Agency." In Post-Theory: Reconstructing Film Studies.
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Magny, Claude-Edmonde. The Age of the American Novel: The Film Aesthetic of Fiction between the Two Wars.
    Paris: 1948. Trans. Eleanor Hochman. New York: Ungar, 1972.
Martin, Wallace. Recent Theories of Narrative. Ithaca, NY: Cornell University Press, 1986.
McCloud, Scott. Understanding Comics: The Invisible Art. Northhampton, MA: Kitchen Sink Press, 1993.
-----. Reinventing Comics. New York: Harper, 2000.
Nabokov, Vladimir. "Introduction." Bend Sinister. 1947. New York: Time-Life Books, 1972.
-----. Lolita. New York: Berkley, 1955.
Perkins, V.F. Film as Film: Understanding and Judging Movies. London, Penguin, 1972.
Prince, Gerald. Dictionary of Narratology. Lincoln: University of Nebraska Press, 1987.
Rimmon-Kenan, Shlomith. "How the Model Neglects the Medium: Linguistics, Language, and the
    Crisis of Narratology." Journal of Narrative Technique 19 (1989) 157-166.
-----. Narrative Fiction: Contemporary Poetics. New York: Routledge, 1983.
Sarris, Andrew. "Notes on the Auteur Theory in 1962." In Film Theory and Criticism: Introductory Readings.
     5th ed. Leo Braudy and Marshall Cohen, eds. New York: Oxford University Press. 1999. 515-518.
Spoto, Donald. The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures. Garden City, NY:
    Doubleday, 1979.
Truffaut, Francois. Hitchcock. Rev. ed. New York: Simon and Schuster, 1984.
Turim, Maureen. Flashbacks in Film: Theory and History. New York: Routledge, 1989.
Twain, Mark. The Adventures of Huckleberry Finn. New York: Webster, 1891.
Wollen, Peter. Signs and Meaning in the Cinema. Bloomington: Indiana University Press, 1972.

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